Treasure Trove Music see Boston, MA.: Ione Pressīrandenburg Concerto No. Albert Ligotti)īryn Mawr, Pennsylvania: Theodore Presserīrandenburg Concerto No. “Be Thou With Me” (“Bist Du Bei Mir”) from the Anna Magdalena Notebook (arr.
New York, N.Y.: Symphony Reproductions, 1988 Piper Publications, Dochroyle Farm, Barrhill, Girvan, Ayrshire, Scotland KA 26 0QGĥ movements, including: Overture from the Suite for the Lute “Allegro” from the Italian Concerto “Capriccio” (upon the departure of a beloved brother). “Allein Gott in der Hoeh’ sei Her” (Glory be to God on high) (arr.Īria “When Thou Art Near” (originally, Bist du bei Mir) (arr. “Air on G String” from the Third Orchestral Suite (arr. “Air” from the Third Orchestral Suite (arr. See also arrangements by Marsha Schweitzer, Frank Ferraro, and Mordechai Rechtman.Īir and Gigue (arr. Originally for 2 clarinets, bassoon and 2 horns. Originally for 2 clarinets, 2 horns, and bassoon.īryn Mawr, Pennsylvania: Theodore Presser, 1968 Originally for 2 clarinets, 2 horns, and bassoon, arranged for flute, oboe, clarinet, horn, and bassoon.ī&H’s scanty info makes it impossible to tell which quintet this is. Jurgen Schmidt)īudapest: Zenemuekiado Vallalat, 1965 1963 / Parts are also available in the original orchestration. Originally for flute, oboe, violin, viola and cello. Girvan, South Ayrshire, Scotland: Piper Publications, Pat Spence) for flute, oboe, 2 clarinets and bassoon (I rate them PG.) Īllegretto Piacevole (arr. Unfortunately, many of the drawings are unsuitable for young children or (we discovered) for recitals in Baptist churches. My favorite is “The Love Match” which includes snippets of every work you’ve ever heard at a wedding, although the zany “Dance Craze” finale will have you tapping toes throughout (it’s in the score). Some of the movements are very difficult, but hilarious, and the audience will love the musical commentary on the drawings (especially “The Art Critic”). You can purchase slides of the drawings (for slide projector or overhead projector) to show simultaneously with the performance. Nine movements by an American composer, each illustrating a sketch by the Austrian artist, Alfred Julius Kley. Schirmerįirst performance was by the Northern Illinois University Woodwind quintet. Highgate Press, Galaxy Music Corp., NY, E.C. Skizzen (Sketches) - Suite for Woodwind Quintet after
See also a quintet for piano and winds on our winds and keyboard page. Rondo pour klavier en re mineur, Wq 61/4 (arr. Six Sonatas (1775) (transcribed Don Stewart) According to Grove Music Online, the quintet was one of the few of her early works to be published, but “her music’s salient characteristics of clarity, wit and brevity are already evident in the Wind Quintet, a piece in which she seems to be following Szymanowski’s example in the incorporation of folk elements.” Bacewicz won the first prize at the Young Composer’s Competition in Paris in 1933 with this work. Quintet for Winds (Kwintet na instrumenty dete) (1932) Setteto (1952) for woodwind quintet, violin, and bassīacewicz, Grażyna (also listed as Bacewiczowna) (1909-1969)
Quintetto a fiati, “Sovraposizioni II” (1963) Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945.In concert with recent scholarship on women composers, this list now highlights their names with a different-colored background. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance.įor his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938.